![]() ![]() ![]() It is useful when notating plainsong, in which context it denotes a longer gap between phrases than a tick barline. On staves with fewer than fives lines, the short barline is scaled proportionally. ShortĪ short barline spans the middle of the staff, which on a five-line staff is between the second and fourth lines. It is useful when notating plainsong, in which context it denotes a breath or short gap between phrases, or other music with an unusual metrical structure. TickĪ tick barline is a short line that spans only the top line of the staff. It is used to subdivide bars to make complex time signatures easier to read, and to differentiate editorial barlines from ones originally in the manuscript. DashedĪ dashed barline has the same thickness as a normal barline, but has gaps within it to give it a dashed appearance. FinalĪ final barline consists of two lines: one of normal width, the other thick. ![]() It is often used to denote significant changes in the music, or to mark the placement of rehearsal marks, key signature changes, and tempo changes. DoubleĪ double barline consists of two lines, both the width of single barlines, positioned half a space apart by default. For single-line staves, the barline extends one space above and below the staff line by default. There are a number of different types of barlines that are used in different contexts: Normal (Single)Ī standard single barline that spans the entire height of the staff. Barlines are vertical lines that cross staves in order to show how music is divided into bars, according to the time signature. ![]()
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